Lost in Tokyo

Lost in Translation or as it was known in Latin America, [Lost in Tokyo] is Sofia Coppola’s second film.

Sofia presents us with two very different people, but at the same time two beings with particularly synchronized sensations. On one side is Bob Harris played by Bill Murray, whom we must reference with Broken Flowers, excellent film. And on the other is Charlotte played by Scarlett Johansson, whom we can identify with Woody Allen’s Match Point.

It’s a story of loners, of strange encounters, very subtle, that somehow attracts you to take you on a search for silences of unfinished dialogues and profound intimacy that seems not to matter—in fact it’s as if nothing is happening, when in reality everything is happening.

This is a perfect opportunity to get lost, set aside everything that overwhelms us in the external world and allow our being to feel, yes, just feel.

We’ve decided to tell it in our own voice to generate a different interaction, this is a film that over time has become a sample of the value that stories told from the author’s intimate connection with their most diffuse part, their human part, have.